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Hg Wells The Island Of Dr Moreau #1 cover a

Hg Wells The Island Of Dr Moreau #1 cover a

$4.99
VERY FINE/NEAR MINT
(W) Ted Adams, Gabriel Rodriguez
(A/CA)
IDW founder and Diablo House writer/co-creator Ted Adams joins Locke & Key artist/co-creator Gabriel Rodríguez to present an all-new adaptation of H.G. Wells' classic science fiction novel. As relevant today as when Wells wrote it in 1896, The Island of Doctor Moreau addresses the question all scientists should ask themselves: 'Just because we can do something, does that mean we should?' This bold adaptation gives us a new protagonist in the form of Ellen Prendick, whose point of view shines a new light upon the horrific events on the cursed island, providing unique insights into one of the world's favorite stories.
Date Available: 07/31/2019
BONUS REVIEW by Kevin Healy


A lovely adaptation of a terrible tale. Gabriel Rodriquez provides rich artwork (think Mark Buckingham inked by P.Craig Russell) with lush line work, dancing direction and weight in a throwback book that owes more to Wrightston's 'Frankenstein' that it does to 'Classics Illustrated'.

I give it 9 out of 10 Grahams


VERY FINE/NEAR MINT
(W) Ted Adams, Gabriel Rodriguez
(A/CA)
IDW founder and Diablo House writer/co-creator Ted Adams joins Locke & Key artist/co-creator Gabriel Rodríguez to present an all-new adaptation of H.G. Wells' classic science fiction novel. As relevant today as when Wells wrote it in 1896, The Island of Doctor Moreau addresses the question all scientists should ask themselves: 'Just because we can do something, does that mean we should?' This bold adaptation gives us a new protagonist in the form of Ellen Prendick, whose point of view shines a new light upon the horrific events on the cursed island, providing unique insights into one of the world's favorite stories.
Date Available: 07/31/2019
BONUS REVIEW by Kevin Healy


A lovely adaptation of a terrible tale. Gabriel Rodriquez provides rich artwork (think Mark Buckingham inked by P.Craig Russell) with lush line work, dancing direction and weight in a throwback book that owes more to Wrightston's 'Frankenstein' that it does to 'Classics Illustrated'.

I give it 9 out of 10 Grahams


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