Alien vs Predator Fire and Stone #1 (2014)

Alien vs Predator Fire and Stone #1 (2014)

$5.00
VERY FINE/NEAR MINT
(W) Christopher Sebela
(A) Ariel Olivetti
(CA) E.M. Gist
As the mercenary crew of the Perses leave the horror of LV-223 behind them, one passenger reveals a terrible new danger, and the crew soon find themselves in a deadly struggle between predator and prey!
Date Available: 10/08/2014
BONUS REVIEW by Kevin Healy


If you haven't been reading the Dark Horse Alien-verse crossovers, you might not be able to pick up on what's going on in this book. I am reading them, and it was quite confusing to me. Why? It takes place after the 'Prometheus' series ends, and that book is only on issue #1. It's hard to say if it will work as a follow up without knowing what its following up. As it is, it doesn't give you enough to know why what's happening is important even though the material is being presented that way. Couple that with Ariel Olivetti's disappointing artwork (look at that cobbled last panel on page 2 for everything that's wrong w/ digital painting), and throw in the fact that you have ANOTHER artist who can't draw a Predator, and you get disappointment on pretty much all fronts.

I give it 5 out of 10 Grahams


VERY FINE/NEAR MINT
(W) Christopher Sebela
(A) Ariel Olivetti
(CA) E.M. Gist
As the mercenary crew of the Perses leave the horror of LV-223 behind them, one passenger reveals a terrible new danger, and the crew soon find themselves in a deadly struggle between predator and prey!
Date Available: 10/08/2014
BONUS REVIEW by Kevin Healy


If you haven't been reading the Dark Horse Alien-verse crossovers, you might not be able to pick up on what's going on in this book. I am reading them, and it was quite confusing to me. Why? It takes place after the 'Prometheus' series ends, and that book is only on issue #1. It's hard to say if it will work as a follow up without knowing what its following up. As it is, it doesn't give you enough to know why what's happening is important even though the material is being presented that way. Couple that with Ariel Olivetti's disappointing artwork (look at that cobbled last panel on page 2 for everything that's wrong w/ digital painting), and throw in the fact that you have ANOTHER artist who can't draw a Predator, and you get disappointment on pretty much all fronts.

I give it 5 out of 10 Grahams


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